GRIDI is a large scale physical midi sequencer Gridi is a large scale physical midi sequencer (2.80 X 1.65 Meters) with embedded LEDs. Itwas created by music producer Yuval Gerstein with the simple aim, to allow visitors to createa musical composition in an accessible and intuitive way. GRIDI translates the methodologyof composing...
SoulPedal® (SP) is a wearable controller that slips inside your shoe (as an insole) and wirelessly controls effects for musicians. In this YouTube demo, local Beta Tester and Musician, Kody Raine of Chandler Arizona, explains how he's using MIDI Change Control messages from SP's wireless controller to modulate his own gear. Not so obvious in the vi...
The Tirare is a custom performance interface. In Italian, Tirare means: (to) throw, (to) to pull. The name refers to the primary performative action employed in order to generate sound. Initially, I was trying to create a form of MIDI concertina. I wanted to pull and push the interface to generate sound, similar to a concertina. I also ma...
The MIDI Manufacturers Association (MMA) has released a Specification for use of TRS Connectors with MIDI Devices. It is available for free download by MIDI Association members. The document defines how to wire "TRS" (tip-ring-sleeve) connectors for use with MIDI devices, and describes the necessary device circuitry and cable specifications to supp...
Introduction We have started our project to find a way how to build full-featured organ console out of available MIDI instruments. One of our project goals was to extend the coverage of the "virtual organ" from software also to the hardware. We have turned it into "virtual organ console". Virtual pipe organ technology (VPO) has been well estab...
XT Synth-The expression of a violin, the playability of a guitar, with the power of a MIDI controller that shines. "The XT Synth is a mix of guitar, violin and midi controller. My inspiration was to make an instrument that could be played like a guitar, with the expression of a violin, with the sounds of a synthesizer. The neck has 4 soft pot...
In 1986 Frank Zappa released his final studio album in his lifetime; for the remaining seven years of his life, he would only release live concert albums.Jazz from Hell is an instrumental album whose selections were all composed and recorded by Frank Zappa. It was released in 1986 by Barking Pumpkin Records on vinyl and by Rykodis...
This custom-built instrument is called Curve, and is named after the shape and contour of the interface itself. I wanted to create something that had a myriad of different sensors and ways of controlling different musical parameters, while also maintaining the functionality and traditional idioms of other controllers, interfaces, and instruments th...
We recently sent out a MIDI Message newsletter and asked people to describe their favorite MIDI project. Harry Williamson from the Federation Bells in Melbourne, Australia sent us this message. Favorite MIDI Project-The Federation Bells, Birrung Marr, Melbourne. 39 Bronze up-turned bells play compositions 3 times daily from a MAX/M...
Although arguably the smaller NAMM event of the two for MIDI related products, there's certainly no shortage of things to discover at Summer NAMM and this year was no exception. With stimulating keynotes on the future of music technology, courtesy of the MIDI Association Advisory Board's very own Craig Anderton, the latest in next year's product li...
What is Telemidi? A system of connecting two DAW environments over the internet, to achieve real-time musical `jamming'.The product of Masters research by Matt Bray. "...a musician's behaviour at one location will be occurring at the other location in a near synchronous manner, and vice versa, thus allowing for a `jam' like atmosphere to ...
The Glitch Mob has started touring with what may be one of the most complicated MIDI controllers every built. The Blade 2 .0 was designed by Martin Phillips also who has done work for Deadmau5, Kanye and Daft Punk. Dell partnered with the Glitch Mob to provide Dell Alienware 15s computers that run Intel Core i7-7820HK quad-core processors. Th...
On May 26, we held the very first MIDI Live! chat with a panel of MPE specialists. We recorded the session and it is presented here as a podcast. Listeners were not only able to send in questions via text but were able to actually join the discussion and interact directly with the panelists. Roger Linn demoed his Linnstr...
MIDI Stylophone Business Card Last Sunday we were looking at bookmarks we had made while searching the Internet for blog topics. We had booked marked Mixtela.com a few months ago because of all the cool MIDI DIY projects. But then we found WaitingForFriday's website and decided to do an article on the MIDI Stylophone...
The Original Dubreq Stylophone The Dubreq Stylophone was invented in 1968 by Brian Jarvis. It was originally designed as a toy, but the fact that it was portable and easy to play and it's distinctive synth sound soon made it popular with some of the most iconic musicians of the late 60's. David Bowie used it on the track 'Space Oddity' a...
We hope you enjoyed these daily tips during MIDI Month—but that's not the end of it, because there will be plenty more tips to come when you join the The MIDI Association. TMA is an all-volunteer organization that believes in TMA's mission: to nurture an inclusive global community of people who create music and art with MIDI. Our strength is our co...
The Live Performance Challenge The challenge for me as a performing musician has always been not being able to readily access desired sounds and sound layers during a live performance in an effective way. The tools given to us on modern stage keyboards are difficult to manage on the live stage, and even if you take the time and make the effort to...
In the tip for May 22, we covered how to control effects and virtual instrument parameters with a footpedal hooked into a synthesizer or other controller. But what if you don't have a synthesizer or other controller...and would rather use a 100 mm fader than a footpedal? No problem, if you're willing to do a little soldering. Take a 1/4" phone jack...
MIDI has lasted over 30 years, so the MIDI data you entered in a sequencer back in the 80s can still drive today's virtual instruments (which is pretty amazing, come to think about it). However virtual instruments, computers, and operating systems don't have, shall we say, quite the same kind of longevity. You'll be reminded of this when Steven Spi...
The way most keyboard players add vibrato is to turn up the mod wheel, and inject some LFO to change the oscillator pitch periodically. That's fine, but consider guitar players—they add vibrato by moving their fingers on strings, which gives a more human quality than using an LFO. So, try your hand (get it?) at doing vibrato with your fingers inste...
There's more to life than audio echo—like MIDI echo. Although the concept of MIDI echo has been around for years, early virtual instruments often didn't have enough voices to play back new echoes without stealing voices from previous echoes. With today's powerful computers and instruments, this is less of a problem so let's re-visit MIDI echo. It's...
ReWire is a software protocol that allows two (or sometimes more) software applications to work together as one integrated program. For example, suppose you wish your DAW of choice had Propellerhead Reason's roster of way cool virtual instruments, but you don't want to learn a different DAW. No problem: use ReWire with your DAW, and get Reason into...
Sometimes you hit notes you don't want to hit, particularly if you're playing MIDI guitar or some other alternate controller (although this tip is most relevant to MIDI guitar, even with keyboards you may end up brushing against some keys accidentally and creating notes you don't want). Here are some ways to clean up your data stream. Delete pressu...
In the days before click tracks, tempos varied because musicians are humans, not crystal-controlled clocks. However, these changes were far from random. While researching an article for Sweetwater's inSync web publication, I analyzed the tempo changes for several hits from the past that didn't use a click track and noticed a common element of most ...
