Audio compression can give more consistent levels, but it doesn't give a more consistent touch; that has to happen at the source, when the instrument plays. Some recording software programs have either MIDI FX or editing commands to compress data by raising low-level notes and/or or reducing high-level notes. But if your program doesn't have veloci...

Despite rumors to the contrary, Congress did not pass a law saying that mod wheels could be used only to add vibrato. Granted, the periodic vibrato a mod wheel adds is something only a synth can do, but try adding vibrato with the pitch wheel instead—it will sound more human, and more like the vibrato guitarists use. Now that you've freed up your m...

There's more to life than audio echo—like MIDI echo. Although the concept of MIDI echo has been around for years, early virtual instruments often didn't have enough voices to play back new echoes without stealing voices from previous echoes. With today's powerful computers and instruments, this is less of a problem so let's re-visit MIDI echo. It's...

If you're a keyboard player using chords to define a chord progression, it's easy enough to have chords hit on, for example, the beginning of a measure. But "strumming" the chord can add interest and a more guitar-like quality (note that the intention here isn't to replicate a program that emulates strummed rhythm guitar parts, but to add interest ...

One of the complaints about "MIDI music" is that quantizing everything to the beat sucks the life out of a song by eliminating the kind of timing variations humans make. But that's not the fault of MIDI— the problem is the person doing the quantization. So, here are three ways to make quantization more human-sounding. Quantization strength. Instead...